The Next MSU President Must Commit to Three Goals

Under President Clif Smart’s valiant leadership, Missouri State University has grown in many ways. Fundraising smashed records, and renovations and new buildings beautified campus. Our profile rose alongside school pride. But there are three huge tasks ahead for the next university president. If accomplished, they will bring in more students, income, donors — what any institution needs to improve its degree programs, keep tuition down, pay professors better, and more. Our next leader must have an absolute commitment to the following aims. 

1) Joining an FBS conference. Smart, his athletics director, our new football coach, and the fan base have all started speaking the same language. It’s time to move onward and upward, out of the Missouri Valley Conference and FCS football. We’re a major institution. If there’s a higher tier, we’re gunning for it. Bobby Petrino’s football program revealed the possible, giving Arkansas and Oklahoma State real scares. Joining an FBS conference brings wider national exposure, richer TV contracts, a chance at bowl games, and a more excited, proud fan base. The next president must craft a plan, including facilities improvements, to attract an invite. [2024 Update: MSU has joined CUSA and risen to FBS.]

2) Men’s basketball’s consistent appearance in the NCAA Tournament, and football’s consistent appearance in the FCS playoffs until FBS is reached. Imagine for a moment that Missouri State was the team in Missouri to reliably enter the NCAA Tournament. It would be transformative. Multitudes of young people would want to be Bears. The national exposure would be invaluable. Remember the 1980s and ’90s, when we’d make it into March Madness, even the Sweet 16? It’s time to return to glory. Likewise, football must continue the success Petrino created to remain attractive to FBS conferences and engage fans, battling in the FCS playoffs. Our new president must better fund these two critical sports, and never be afraid to cut ties with a failing coach and find one with playoff or championship experience.

3) Helping free MSU to offer PhDs. It’s illegal for MSU and eight other public universities in the state to offer PhDs and first-professional degrees in law, medicine, engineering, and so on. The University of Missouri system holds a monopoly on these degrees. There’s a reason MSU offers fewer than a dozen doctorates — it isn’t allowed to do much more. In 2023, bills were filed in the Missouri Legislature to end the monopoly (SB 473, HB 1189), but they died in committee. New bills are coming in 2024. The next president must fight for fairness and work with the Legislature to lift the ban. MSU will then be able to offer many more doctoral programs, attracting more graduate students. [2025 Update: A bill has passed allowing MSU to offer any PhD except engineering; Mizzou’s monopoly over dentistry, law, medicine, optometry, engineering, and pharmacy remains intact.]

Achieving these goals will send a university that has long been on an upward trajectory into the stratosphere. I urge the search committee to find a candidate who will commit with the utmost passion, and I encourage Bears everywhere to call for this as well at MSU’s October 2 input forum and through the community survey at missouristate.edu/president/search.

This article originally appeared in the Springfield News-Leader.

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A Real Writer


A Real Writer

A real writer writes for pay.
A real writer writes for nothing.
A real writer makes a living off the craft.
Or enjoys the grocery money.
A true writer publishes with traditional houses.
A true writer self-publishes.
A real writer writes for others to see.
A real writer writes for himself alone.
A real writer has done all of these things.
Or maybe one.

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9 Gay Films to Watch Immediately

As with any genre, gay romance has its duds (looking at you, Happiest Season), its all rights (Boy Erased), and its overhypes (Call Me by Your Name). But many of its films are immensely powerful. After all, the most compelling romance writing involves forbidden, secret love and associated dangers, and — tragically for the real human beings who experienced and experience this — these elements are inherent to many gay stories. The following is a selection of movies that you will not soon forget.

Supernova — Love in the time of dementia. Stars Colin Firth and Stanley Tucci.

Disobedience — Rachel McAdams and Rachel Weisz find love in an orthodox Jewish community.

The World to Come — Farmers’ wives fall for each other on the American frontier. With Vanessa Kirby, Katherine Waterston, and Casey Affleck.

Carol — Cate Blanchett’s character meets a younger woman (Rooney Mara) in 1950s New York.

Ammonite — Searching for fossils and companionship in the early 1800s. Stars Kate Winslet and Saoirse Ronan.

Brokeback Mountain — The undisputed classic. With Heath Ledger, Jake Gyllenhaal, and Anne Hathaway.

Moonlight — The Best Picture winner, a journey from black boyhood to manhood. With Mahershala Ali, Ashton Sanders, and Naomie Harris.

The Power of the Dog — Benedict Cumberbatch’s character abuses his brother’s wife and son (Kirsten Dunst, Kodi Smit-McPhee) while struggling with his feelings for the latter.

Professor Marston and the Wonder Women — A throuple in the 1940s evades discovery, while inspiring the creation of Wonder Woman. With Luke Evans, Rebecca Hall, and Bella Heathcote.

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The Founding Fathers Were (Accidentally?) Right About the Senate

I noticed something interesting during the Trump era. As the nation completely lost its mind, I saw incidents here and there of Republican senators seeming to keep their heads a little better than House Republicans.

For example, after Trump’s lies about voter fraud led to the January 6 riot, 14% of Republican senators (seven individuals) voted to convict him, whereas in the House only 5% of Republicans voted to impeach (ten individuals). Or look at who still voted against Arizona and Pennsylvania’s 2020 election results two months after election day, after (Republican) states had recounted and certified their results and Trump’s own administration officials and the federal courts had rejected the myth of voter fraud. 66% of House Republicans (139 politicians) voted to object to the validity of these states’ elections, with no actual evidence for their position. Only 6% of GOP senators (eight officials) did the same. And sure, the Senate has its Josh Hawleys, Lindsey Grahams, and Ted Cruzes, but doesn’t it usually feel like the most insane people are in the House? Like Majorie Taylor Greene (QAnon, space lasers owned by Jews causing wildfires, 9/11 was an inside job) or George Santos (pathologically lying about his career, relatives experiencing the Holocaust or 9/11, and founding an animal charity)? Why does the Senate at times seem like a slightly more sober place? Perhaps it’s nothing, but such things reminded me a bit of what the Constitutional framers wrote about the Senate and House.

For the Founding Fathers, the Senate, which would not be elected by voters but by state legislatures (this was true until 1913), would be comprised of more serious, intelligent people. A nation must, James Madison wrote in 1787, “protect the people agst. the transient impressions into which they themselves might be led.” The foolishness of the citizenry had to be tempered. Because the House of Representatives would be elected by the people, it would also be infected: the voters, “as well as a numerous body of Representatives, were liable to err also, from fickleness and passion.” Thus, “a necessary fence agst. this danger would be to select a portion of enlightened citizens, whose limited number, and firmness might seasonably interpose agst. impetuous counsels.” This was the Senate, the upper chamber, following closely the House of Lords in Britain that operated beside the House of Commons, the lower chamber.

Madison positioned the Senate as a check on the “temporary errors” of the masses-representing House, whereas the masses-representing House would be a guard against the abuses of the Senate, small and unelected by the citizenry. (He then went on to stress that one had to keep power away from the people, whose sheer numbers would threaten the interests of the rich. So the president, senators, justices, and so on would not be elected by ordinary voters — and only men with property could vote for House reps. See How the Founding Fathers Protected Their Own Wealth and Power.)

“The main design of the convention, in forming the senate,” the New York publisher Francis Childs wrote in 1788, “was to prevent fluctuations and cabals: With this view, they made that body small, and to exist for a considerable period.” Indeed, “There are few positions more demonstrable than that there should be in every republic, some permanent body to correct the prejudices, check the intemperate passions, and regulate the fluctuations of a popular assembly.” Childs was railing against the idea of senators not serving for life.

Alexander Hamilton’s plan was for life-term senators. “Gentlemen differ in their opinions concerning the necessary checks, from the different estimates they form of the human passions. They suppose seven years a sufficient period to give the Senate an adequate firmness, from not duly considering the amazing violence and turbulence of the democratic spirit.” Senators would “hold their places for life,” to achieve “stability.”

The story of George Washington calling the Senate the cooling saucer for the hot coffee of House legislation is probably untrue, but captures the general mindset of the framers.

Of course, the idea of senators being significantly more “enlightened” and level-headed than House reps from 1789 to 1913 deserves skepticism, but it would take lengthy historical study to form a coherent position. The modern observations that opened this writing can’t really support the opinions of the Founders, for modern senators are elected by the voters, not state legislatures. The 17th Amendment gave us different rules for the game. What this means is I can only ponder whether the framers were accidentally right: perhaps they theorized that senators would be more serious people on average, but this only became so after 1913. It is true that they could simply have been right, with this phenomenon defining the Senate no matter how senators were elected, but this cannot be answered without careful analysis of the political realm from the early republic era to World War I. Not that my musings can at present be fully answered either, as they are merely based on a few random observations, not careful, systematic analysis of modern behavioral differences between senators and representatives. All this is highly speculative.

However, it seems obvious it would be a little easier for crazy people to enter the House than the Senate. You simply don’t have to convince as many voters to support you. In 2022, there were 98 House districts (out of 435) where turnout was less than 200,000 people. The lowest districts had 90,000 to 140,000 total voters. If you’re a dunce who can get 50,000, 75,000, or 100,000 people to vote for you, you can make it to Congress. Districts are small, less diverse, sometimes gerrymandered. More people within them think and vote the same way — the average margin of victory among U.S. House races is 29%, versus 18-19% for Senate races — meaning it’s a bit easier to beat your rival candidate from the other party, if you live in the right district. If you’re running in a safe district — a blue candidate in an extremely blue area or a red one in an extremely red area — all you must truly worry about is beating your primary challengers from your own party, meaning you can secure a seat in Congress with even fewer votes.

Candidates for Senate, while naturally still courting voters on their side of the political spectrum as well as moderates, seek supporters across entire states, in wilderness and small towns and suburbs and big cities. Potential voters are more diverse geographically, racially, economically, ideologically (the poor rightwing farmer is not precisely the same as the rich rightwing business tycoon). To make it to the Senate, you’ll need more votes. 100,000 supporters might be enough in sparsely populated states like Alaska, Vermont, Wyoming, or the Dakotas. But beyond that you’ll need hundreds of thousands or millions of voters to beat the candidate from the other party. This is true regardless of the fact that you could win a primary with a relatively low number of supporters and would have a much better chance of winning a safe state.

Entering the House also requires far less money. Which may be a benefit to crazy people who lose funders when they do and say crazy things. (Admittedly, you may see the opposite effect these days.) It also opens the door to more self-funded candidates. Overall, it’s five to seven times more expensive to win a Senate race than a House race.

All this is to say it may be more difficult for the worst clowns to enter the Senate. There are more opportunities with the House; you need fewer voters and less cash. This may sound ludicrous in a world where Donald Trump could dominate the Republican primaries, indeed it is frightening when extremists like Trump or Greene beat normal conservatives, but more voters may nevertheless function — imperfectly — as a bulwark against irrationality, a check on dangerous candidates. (Recall that Trump lost one popular vote by 3 million and the next by 7 million, once the decision was placed before even more voters.) Someone like Marjorie Taylor Greene can garner 170,000 votes, and George Santos 145,000, but it may be more difficult for them to be taken seriously by their entire states, by the millions necessary to beat rival candidates. It’s not impossible, as Trump has shown, and enthusiasm among the rightwing masses for lunacy (authoritarianism, conspiracy theories, demagoguery) is only encouraging lunatics to run and helping them win, but “more voters, fewer clowns” may nevertheless be a general principle of democracy that held true before the Trump era and may yet hold true today. (Enough popular extremism, of course, will dismantle this principle entirely.)

If the Senate is in fact a more serious place, it’s possibly a product of the system established in 1913. You have those factors making it difficult for loons to get there. Consider the setup before this. A propertied resident of, say, Virginia would vote for state legislators to go to Richmond to represent his local district. The legislators in Richmond would then elect two senators to serve in Congress. (Meanwhile, House reps were elected as they are today; that Virginia resident would vote for one directly.) Now, perhaps state legislators somewhat paralleled the sobering function of voters today, in that they came from all over a state. Between this and being elected officials themselves, perhaps legislators really did ensure more serious people were generally sent to the Senate compared to the House. The Founders could have understood this; perhaps it played into their visions of enlightened politicians. (Perhaps the vision itself, the mere idea of a more serious Senate, partly made and makes it so, changing behavior, a self-fulfilling prophecy.) But maybe there was no difference whatsoever — if state legislators were elected by the stupid herd, why would they be serious, enlightened enough people to send serious, enlightened people to the Senate? And is convincing a few score legislators — fewer people — of your suitability actually easier than convincing thousands of voters? Creating just as big a door for nincompoops? We saw earlier how fewer voters might be beneficial to such candidates. An answer is elusive, but if the Founders were wrong in the beginning, perhaps they were made right with the reforms of the early twentieth century.

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A 6/10 for ‘Guardians of the Galaxy 3’

The third Guardians of the Galaxy film fits neatly into the post-Endgame tradition of mediocre Marvel products. A 6/10 is not a bad movie in my rating system (that’s fives and below), but it is decidedly meh. It’s fairly surprising that the IMDb average — usually a reliable metric of quality — currently stands at 8/10. That’s what I would give the original Guardians (perhaps even higher), the best Marvel film there is. Guardians 2 was about a 7, a good, solid movie (though it always irked me that Peter and Gamora switched positions, abruptly, on whether Peter should get to know his father, just to manufacture some cheap tension). Many viewers have praised the third installment, but I was not impressed — despite its lovable characters, good humor, and some genuinely emotional moments, something just felt off.

The first thing I noticed was that a couple characters had lost their edge. Nebula seemed far less hostile and brooding than normal. Rocket was of course a child (in flashbacks) for most of the film, so he wasn’t sarcastic, nasty, or argumentative either, but didn’t return to form in his adult scenes. I tried to let this slide, as the Guardians have become friends over time and in finding such a family have been able to let go of some bitterness. It makes some sense, they’ve grown. Still, part of what made the characters memorable and interesting was that they had dark sides, would bicker to the point of dysfunction, and so on. The happy family vibe takes some protagonists out of (original) character and is a bit dull. Thank goodness alternate-timeline Gamora was there to add back in some selfishness, conflict, spice.

It should be noted also that Groot felt somewhat absent. Sure, he was there, got his line in, but left no real impression in the way that Drax, Peter, Rocket, and others did. You’ll never forget Baby Groot dancing in Guardians 2, nor Groot sacrificing himself with a “We are Groot” at the end of the original film. Here he’s in the background, forgettable, forgotten. Was there even an emotional scene between him and Rocket, who’s on his deathbed? Aren’t they best friends and the OG pair?

To me, everything in this movie feels unnatural or forced. What would actually make sense is ignored in favor of achieving certain goals, whether plot or style goals (this mistake often turns sequels into ridiculous caricatures of original ideas). Consider, for instance:

  • Why are Peter’s mask and rocket boots erased from this tale? So he can be saved in space at the end?
  • Why are we jamming as many pop songs as humanly possible into this thing, even when it ruins emotional, dark moments? Because that’s what a GOTG movie must have, like a factory quota must be met? I kept thinking to myself that I was witnessing a formerly fresh, exciting world gone pure parody — Hey, earlier outings had tunes, jokes, bizarre creatures, let’s multiply all that by ten thousand, trust me, it’ll be ten thousand times better.
  • Why does Peter go home, Mantis go find herself, and Nebula want to lead a new society, all coming nearly out of nowhere at the end? Because the Guardians need to break up, it’s the last movie?
  • Why do we go to the goo planet? To not find what we need, so we can go to the next location, the Arthur planet. Gotta get the code, then the man who took the code. It’s a bit Mandalorian / Rise of Skywalker side questy, only not nearly as protracted. It’s as if we’re going to these places just to fill runtime or to simply see weird GOTG designs one by one like a parade or zoo. The meandering video game quest just isn’t compelling storytelling to me. There’s a way to take characters on adventures through many different worlds that feels natural (think of the original Star Wars or Lord of the Rings trilogies), where you’re not going from spot to spot because each one is a dead end or has a tiny clue that leads to the next destination. Real life involves such things at times, and it’s not as if all this should be off-limits for entertainment, but it often does feel contrived — forced and unnatural, the audience being jerked around and dragged along for two and a half hours, childish writing, location porn.
  • Why does Warlock feel so shoehorned into this film? He shows up briefly in the beginning, gets to do a little something at the end, and is mostly pointless and forgotten about in the middle, the majority of the story. He has so little purpose it almost feels like inserting him was a mere obligation after the tease at the end of Guardians 2, rather than an excited, thoughtful addition to the lore.
  • And of course you have the Bad Guy who’s a complete empty suit. A cackling, cartoonish Disney villain without any depth or room for us to sympathize — the things that made Thanos, Killmonger, and so on good antagonists. Here what’s forced is simply a bad guy in general. It’s part of the old, tired formula. How can you have a superhero movie without a baddie? I think this prescription, this dull necessity, leads to a lack of effort. The goodies have to have someone to fight, that’s all that really matters — why bother fleshing out a villain? The box is checked, move on.

And so forth. There is more that makes little sense (why is the final scene the Guardians charging off to kill wildlife when the climax of the film saw them valiantly saving wildlife?), but one gets the idea.

As a final, unrelated gripe, as creative as this world has been in many ways, this particular production felt like a strange mix of too-familiar IPs to me — a Power Rangers villain, Arthur, The Rats of NIMH, Willy Wonka, the monsters from Maze Runner, and GOTG / Marvel all put in a box and shaken as hard as you can.

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