Historians on Capitalism’s Ascendance

What conditions must be present to declare that capitalism has finally come to dominate one’s society? American historians have varying views on this, as the meaning of capitalism is varied. Further complicating matters, the new paradigm in scholarship is to worry less about precise definitions of capitalism, as Seth Rockman points out in “What Makes the History of Capitalism Newsworthy?” — an acceptance of the “varieties of capitalism” would seem to make a determination of hegemonic conditions more challenging. Our question has become harder to answer as research has progressed, not easier. Still, historians’ answers and interpretations are interesting. As Paul Gilje writes in “The Rise of Capitalism in the Early Republic,” some of course simply point to capitalist ownership of the means of production — businesses, the factories, the tools and equipment, the resources, and so on — but others disavow domination until capitalists also control the political system. The level of industrialization is another suggestion, but historians such as Jonathan Prude and William Stott urge a step away from centering mechanization and new technology, instead focusing on the division of labor, which brings artisans of the early American republic, a key period of transition, deeper into the story of capitalism’s rise. In other words, for our purposes, hegemonic capitalism would not be reached until the division of labor (the creation of goods being broken down into small steps that low-skilled wage workers could accomplish, replacing the full-task, high-skilled creator, increasing production) had come to define society, regardless of the state of industrialization and even, perhaps, who owned the means of production and the State. 

Further, wage labor, Rockman notes, has long been considered the “sine qua non of capitalism,” its essential element. Before capitalism came to dominate, for instance in eighteenth-century America, most people were involved in their own familial agricultural production — most workers, including artisans and merchants, did not work for someone else, receiving a wage from an employer. The shift to wage labor was a massive change. However, Rockman writes, New Capitalist Studies have drifted away from wage work as the essential characteristic of the capitalist system. Millions of American slaves certainly worked for someone else, and while they received no wages this was a form of exploitation that could not be ignored in the story of economic development. In other words, some historians, those who see slavery as integral to capitalism rather than oppositional or anomalous (see Gilje), may look beyond widespread wage labor for the key characteristic of hegemonic capitalism. They may look instead, for example, to the ubiquity of a new ideology. Michael Zakim and Gary Kornblith’s Capitalism Takes Command phrased it as “capital’s transformation into an ism.” The wider culture adopted principles beneficial to business, though this took some time. As John Larson writes in “The Genie and the Troll: Capitalism in the Early American Republic,” despite some historians positing that capitalism arrived in America with the first European ships, others have demonstrated that the yeoman farmers of the early republic still held cultural values detached from the capitalistic ethos, disinterested in profit. But eventually values like individualism and competition did replace community reciprocity, respected hierarchy, and other norms (see Gilje and Larson). Could one claim that capitalism had reached predominance without the new self-interested belief system doing so as well?

Let’s consider how a few other historians addressed this question of what constitutes capitalism and how American society transitioned to it in the early republic period. In “The Enemy is Us: Democratic Capitalism in the Early Republic,” Gordon Wood addresses the debate between “moral economy” and “market economy” historians of the early American republic. The former posit that period farmers lacked a capitalistic, profit-driven mindset, focusing only on family and community needs. The latter argue that farmers engaged in market exchange to a high enough degree to evidence that capitalism’s grip on society occurred before moral economy historians would like to admit. Wood argues that moral economy proponents have strained reason in their attempts to portray farmers without any capitalistic ethos. Farmers are portrayed as merely providing for their families no matter how intensely they engage in the market. They cannot be capitalistic because, for the caricature-crafting moral economist historians, by definition capitalists have greedy, evil intentions. Wood critiques such thinkers for a lack of nuance and for attempting to fit the early republic into a Marxian framework that strictly requires a checklist of elements for the existence of capitalism; for instance, if there was no class exploitation of American farmers, there was no capitalism, despite the existing free market and other characteristics. Among the evidence Wood uses are the writings of a period laborer to show the true nature of economic activities and social relations. The cartoonish capitalists, Wood writes, did not bring about capitalism, but rather ordinary people with moral and market sensibilities; indeed, the essay breaks down some barriers between the sides of the historical debate.

Jean-Christophe Agnew helms the afterword of Capitalism Takes Command, delivering a short essay entitled “Anonymous History.” The piece concerns the financial instruments of capitalism and their effect on ordinary Americans, such as farmers, in the early republic period. Agnew argues that the “paperwork” of capitalism, the new financial, commercial, and legal devices — the mortgages, debts, securities, bonds, investments, lines of credit, and so forth — powered the shift from a society of family-centered production to industrial capitalism. Farmers became caught up in these instruments, pulling them from their private worlds and communities and into a truly national economic system. Agnew draws on the essays featured in Capitalism Takes Command for evidence, touching on several of their themes and theses, pulling them together. He cites, for instance, nineteenth-century farmers who felt their world had been turned upside down as they were sucked into the developing commercial system, worrying they would “die of mortgage” and complaining the mortgage “watched us every minute, and it ruled us right and left,” to quote a poem. The historian’s title, “Anonymous History,” refers to a focus on the economic practices, such as use of these financial instruments, that impacted ordinary people, rather than a focus on big names like Rockefeller and Carnegie, who do not appear in the book.

Wood argues that farmers had more of an entrepreneurial spirit and sought profit in the market, touching on the ideology and free market elements necessary for capitalism’s ascendance and moving the timeline up a bit, to the chagrin of moral economist historians. Agnew also finds earlier, more advanced capitalist development among farmers, though it is more against their will and to their detriment; he focuses on the financialization characteristics of the new economic system. These historians are not alone in their conclusions. Robert E. Wright, in “Capitalism and the Rise of the Corporate Nation,” also centers financial instruments in the story of capitalism’s ascendance. Investment, credit, and loans allowed corporations to hugely expand production and profits; corporations then came to dominate the U.S. economy. Agnew and Wright would concur that modern capitalism entails widespread financialization, which became a true force in the early republic period. Jeanne Boydston, who penned “The Woman Who Wasn’t There: Women’s Labor Market and the Transition to Capitalism in the United States,” might better relate to Gordon Wood. Wood wrote about ordinary Americans engaging in market exchange and rejected the false dichotomy of capitalist mindset vs. family-focused provider. Boydston looks at women’s economic roles in the antebellum era. Women’s work helped farms maintain their self-sufficiency and at the same time fed the market and grew the economy — for instance, women undertook outwork for textile mills, receiving compensation. What served the family served capitalism, and vice versa.

While these are not the only elements of hegemonic capitalism, they are major ones that offer a glimpse at a lively historiographical discussion. Given the nuance of the debate and the myriad definitions (or definitional apathy) inherent, it seems sensible to posit that a healthy (or unhealthy) mix of societal realities — a preeminent ideology, capitalist ownership of the means of production and governmental functions, wage labor, industrialization, financialization, a free market, the division of production tasks, and more (such as consumption levels or competition; see Larson) — are necessary to stamp capitalism as hegemonic, a thesis that should please both everyone and no one.

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Football as Chess

Of all the sports, American football is most like chess.

(The other football is the most like dance.)

Look at a Sunday game and then at the chessboard.

The two teams in their light and dark, away and home.

Rows of pawns, offensive and defensive lines, charging each other — clash.

But these are heavier, slower pieces, just a square or two at a time.

The opposing sides are desperate to get to one key piece, the quarterback-king, who must stay well-defended. If he gets trapped that’s trouble.

What does the knight do but a quick out route? Tight end.

The rook with its go route, the bishop with its slant. Speedy receivers.

What if the rook played QB in college and did a quick castle? The king’s suddenly out wide, playing receiver.

After each play, a stop — time to tweak your strategy, thinking multiple moves ahead, and make the next play call. Adjust the board and your headset, because you’re the coach.

Make it to your opponent’s endzone with a pawn and score another queen!

At least that many football players don’t leave the field with injury.

Play football, risk brain damage. Play chess, risk madness?

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It’s Illegal for Most Public Universities in Missouri to Offer PhDs

Only one public university (system) in Missouri can offer PhDs. Only one can offer first-professional degrees in law (J.D.), medicine (M.D.), and more.

The University of Missouri and its supporters in the legislature have for decades maintained a monopoly on doctoral degrees. For a long time, only UM system schools could offer them.

For instance, in 2005, Missouri State University was banned from offering any doctoral, first-professional, or engineering programs unless it was in cooperation with Mizzou, which would be the degree-awarding institution. This was the price of then-Southwest Missouri State’s name change to Missouri State. The name for limits on growth, to protect Mizzou’s position as the state’s largest university and its “prestige.” Other laws barred or scared off other universities from offering the highest degrees.

In 2018, Missouri passed a law with some good changes, some bad. Universities were finally given a pathway to offer more doctoral degrees — like, say, a Doctorate in Education (Ed.D) — without going through Mizzou. But it was enshrined into law that “the University of Missouri shall be the only state college or university that may offer doctor of philosophy degrees or first-professional degrees, including dentistry, law, medicine, optometry, pharmacy, and veterinary medicine” (H.B. 1465, page 4). Further, engineering degrees and a few others must still go through Mizzou.

Impacted universities include Missouri State, Truman, Central Missouri, Southeast Missouri, Harris-Stowe, Lincoln, Missouri Southern, Missouri Western, and Northwest Missouri. Looking at their catalogues you find no doctoral programs, with a few exceptions, such as two at Central Missouri offered through Mizzou and Indiana State, and eight at Missouri State, with one through UMKC.

Proponents frame all this as eliminating costly duplicate programs and promoting cooperation. But by that reasoning, why should multiple universities offer the same bachelor’s degrees? The actual reasoning is obvious. A monopoly on doctoral degrees means more students and income for the UM system. At the expense of every other public university. At the expense of students, who may want to study elsewhere. And to the detriment of the state, which loses money to other states when students don’t get into Mizzou or a sister school, are priced out, or do not find the program they’re looking for — they have no choice but to go to graduate school in another state.

It’s high time Missouri legislators corrected this nonsense. Students, alumni, and everyday proponents of fairness and sanity should contact their legislators and those who serve the districts of affected universities. Then sign the petition.

[2025 Update: A bill has passed allowing MSU to offer any PhD except engineering; Mizzou’s monopoly over dentistry, law, medicine, optometry, engineering, and pharmacy remains intact.]

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When to Stop Watching ‘The Walking Dead’

Mercifully, The Walking Dead came to an end in November 2022. Its final season was released for the masses on Netflix this month. Having trudged through the entire series, we can at last confirm that yes, we have wasted years of our lives.

(This article exists primarily for those who have not seen the show or are a few seasons in. There are a couple light spoilers for the part of the show you should watch, seasons 1-8 [oops, article spoiler!]. There are some heavier spoilers for the later seasons, but who cares — you shouldn’t watch them. Secondarily, the piece exists for those who have seen the entire thing and seek commiseration.)

Just over halfway through its 11-season run, The Walking Dead began a slow decline in quality from which it simply never recovered. The fatal blow was the loss of its main character Rick Grimes in season 9, when actor Andrew Lincoln departed. A show with a large cast of characters needs an anchor, someone to revolve around. One can perhaps better get away with a hundred characters if that was the nature of the show from the beginning, but TWD is disorienting because it has a main character for eight seasons and then none for the last three. It lost its center. (The comics did it right. The creator, Robert Kirkman, abruptly ended the series when Rick died, shocking fans and leaving the bamboozled distributor throwing out fake upcoming issue covers. See, readers experienced this world through Rick, and when he ended so did the experience. No one was safe in the dystopia, not Rick, not us. If only the show had been bold enough to do that.) Other key reasons for the descent from a solid hit to the okay-est show ever include the inevitable repetition (we have to find a new home again, we have to fight the next bad guy / group), the delightful slow burn’s eventual devolution into a miserable 45 minutes of nothingness that strongly suggested the showrunners had no idea how to wrap this thing up, and the creeping contrivances and character stupidity that is a hallmark of poor writing, as I wrote elsewhere:

Bad writing is when characters begin following the script, rather than the story being powered by the motivations of the characters… The characters’ wants, needs, decisions, actions, and abilities [should determine] the course of events — like in real life… Series that blast the story in a direction that requires characters, in out-of-character ways, to go along with it will always suffer… The Walking Dead, in addition to forgetting to have a main character after a while and in general overstaying its welcome, was eventually infected with this. (There’s no real reason for all the main characters to cram into an RV to get Maggie to medical care in season 6, leaving their town defenseless; but the writers wanted them to all be captured by Negan for an exciting who-did-he-kill cliffhanger. There’s no reason Carl doesn’t gun Negan down when he has the chance in season 7, as he planned to do, right after proving his grit by massacring Negan’s guards; but Negan is supposed to be in future episodes.)

While the derivative format and bad writing reared their ugly heads before it, “Wrath,” the final episode of season 8, is when one should say a firm goodbye to The Walking Dead. Finish the season and never look back. It’s not simply that things get worse after this — and they do — but “Wrath” actually does a decent job rounding off the show’s theme. What made TWD powerful was not only its compelling characters who you could lose at any time, its great action, gore, horror, and twists, but its question of how to hold onto your humanity when humanity has gone to hell. Do you maintain your decency and ethics, or do you survive? You cannot often have both. Characters struggle to remain good people. Some are mostly successful. For others, the struggle pulls them into madness. Some lose momentarily or entirely, in order to live, descending into a darkness and doing horrific things. Can our protagonists still be called good? We are asked this; the characters ask it of themselves. “Wrath” deals with this issue. Rick wants to return to who he was, to reclaim some of his humanity, and build a world where it can be restored for all. Other protagonists — who one loves just as much as one loves Rick — begin plotting to do awful things to an enemy in the next season. This is the episode’s mild cliffhanger, the attempt to draw you back for more. If you walk away from the show, you’ll have to give up on seeing where that story thread goes. Having seen such, I argue it’s not worth it. End the series there, knowing your heroes will continue fighting to survive in this zombie apocalypse for the rest of their lives, and at the same time fighting not to fall into savagery and evil. After season 8, this theme is increasingly forgotten, and you’d better believe that the show is no longer smart enough to include it in the actual conclusion.

Seasons 9 through 11 have their positives of course. Alpha and the Whisperers are kind of cool, there’s some good horror moments that keep the walkers dangerous, and Negan’s redemption arc is without question the most interesting element. But otherwise there’s not a lot to write home about. Beyond Rick vanishing and more nothing-to-see-here episodes, there are desperate, disorienting time jumps, a horde of new characters that aren’t particularly interesting (if you’ve seen these seasons, try to remember who Magna is, it’s impossible), and a season 11 villain / community, Pamela and the Commonwealth, that is the weakest of the series. Plus, since the Commonwealth is a large, safe city, our characters get to leave the terrifying apocalyptic tribulation and enter the pulse-pounding world of…local journalism, courtroom drama, and peaceful protests over inequality. The last episodes try to pull at your heartstrings with flashback footage from earlier episodes, when the show was actually good, but this also felt somewhat desperate to me and wasn’t terribly successful. And yes, Rick and Michonne appear at the very end, but it’s a nothing burger: they are precisely where we last saw them, with Rick a captive and Michonne searching for him. Just in case there’s a movie. The end. Besides those bits, this season could have been inserted earlier in the show and you would never have known it was designed to be the last one — it’s simply more of the same, another bad guy defeated. The “why” of it all was entirely beyond me. That’s what you tend to ask yourself after season 8. Why does this show exist? Why am I watching this? May this writing save you some valuable time.

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Radical Feminism v. Cultural Feminism

With Daring to Be Bad, Alice Echols is the first historian to chart the rapid rise and fall of radical feminism in twentieth-century America.[1] Radical feminism, birthed in 1967, was eclipsed by cultural feminism by 1975.[2] Writing in 1989, Echols sought to demystify radical feminism for readers.[3] This required a significant exploration of the tendency that succeeded it: “A study of this sort seems to me especially important because radical feminism is so poorly understood and so frequently conflated with cultural feminism. This conceptual confusion arises in part because radical feminism was not monolithic and aspects of radical feminism did indeed anticipate cultural feminism.”[4] The latter evolved from the former, plus “cultural feminists almost always identified themselves as radical feminists and insisted that they were deepening rather than jettisoning” radicalism, creating fertile ground for disorientation.[5] Echols’ work is an intriguing history of these theories. Let us review the major distinctions between them.

Radical and cultural feminists have important points of intellectual departure. Radical feminism sought revolutionary changes in power structures, along Marxist lines, to bring about gender equality; cultural feminism was a turn inward, attention drifting away from the State and toward women’s culture, with the establishment of women’s businesses and other supports (stores, health clinics, credit unions, festivals) that to critics represented “an evasion of patriarchy rather than a full-throated struggle against it.”[6] The former was an anticapitalist movement for political transformation, the latter a self-sufficiency, self-improvement counterculture that rejected class struggle.[7] The radicals stressed the personal was political — a new system was needed to rectify oppression in the home, the bedroom, and so on.[8] Culture-minded reformers viewed matters from the other direction: the personal was the “foremost site of change,” from which a new world could be built.[9] Each movement had some form of opposition to male political supremacy and the construction of a new women’s culture, but each poured most of their energies into one arena. Echols offers a helpful parallel by pointing to the civil rights movement, which saw black nationalist offshoots that were “more involved in promoting black culture than in confronting the racist policies of the state.”[10] Of course, there were many other ideological differences among feminists. For instance, would women’s liberation be best served by minimizing male-female differences (the tack of the radicals) or placing more value on a unique female nature dismissed by the patriarchal society (the tack of the culturalists)?[11] Should you eradicate gender or celebrate it?[12]

Both tendencies left important legacies. The women in the earlier movement for social transformation demonstrated the power ordinary women have to enact political change. “They fought for safe, effective, accessible contraception; the repeal of all abortion laws; the creation of high-quality, community-controlled child-care centers; and an end to the media’s objectification of women.”[13] Unjust rape and domestic violence policies were challenged, as was exclusion from workplaces and universities.[14] Radical feminists engaged in direct action and civil disobedience, disrupting Miss America pageants and Senate hearings, hosting rallies, marches, and sit-ins.[15] Their organizing pushed the United States in a new direction. The Fourteenth Amendment was applied to women in Reed v. Reed (1971), the Equal Rights Amendment sailed through Congress (1972), the right to an abortion was guaranteed (1973), and more. With the ascendance of cultural feminism, political successes, expectedly, trailed off.[16] However, the later movement for personal transformation turned away from the talk of capitalism’s overthrow and other tenants of radicalism, broadening the tent. After the 1970s, far more women of color joined the movement, for instance.[17] In the same way, during the heyday of the radical feminists, “liberal feminism was…in some cases morediverse” than the radical feminist movement.[18] Though cultural feminism cannot be applauded for shifting focus away from political struggle, and much merit can be found in radical feminist beliefs, it is difficult to deny that more women might be attracted to a more tempered movement further divorced from the Marxist niche. This went beyond anticapitalism, as well, to other aspects of radical thinking. One of the defining texts of cultural feminism was Jane Alpert’s 1973 “Mother Right” piece, which “reaffirmed rather than challenged dominant cultural assumptions about women” by refusing to erase male-female differences, instead celebrating the “biological difference between the sexes… The unique consciousness or sensibility of women…”[19] Cultural feminism was better adapted to mainstream American ideologies, and could therefore attract a wider, more diverse following.

Overall, Daring to Be Bad offers history students and lay readers many ideas and phenomena to consider. It spotlights the bitter infighting leftwing movements typically experience. It prompts one to ask whether members of an oppressed group should focus on their commonalities or fully embrace their differences (an intersectional, but potentially paralyzing or divisive, approach). And will, as Alpert wrote, “economic and political changes…follow rather than precede sweeping changes in human consciousness”?[20] Or is it best to change social structures first, as the radicals insisted, freeing human thought, letting ideology catch up? Echols has produced both a fine history of a Leftist movement and a potential guide for future struggles.

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[1] Alice Echols, Daring to Be Bad: Radical Feminism in America, 1967-1975 (Minneapolis: University of Minnesota Press, 2019), xvi.

[2] Ibid., 5.

[3] Ibid., xvi.

[4] Ibid., 6.

[5] Ibid., 7.

[6] Ibid., viii-ix, xviii-xix.

[7] Ibid., 6-7.

[8] Ibid., ix, 3.

[9] Ibid., xix-xx.

[10] Ibid., 7.

[11] Ibid., xviii.

[12] Ibid., 6, 9.

[13] Ibid., 4.

[14] Ibid., vii-viii.

[15] Ibid., ix-x.

[16] Ibid., 293.

[17] Ibid., 291.

[18] Ibid., xxii.

[19] Ibid., 250, 252.

[20] Ibid., 251.